Lens Review: Nikon 14-24mm f/2.8G AF-S

This is an ultra-wide zoom made by Nikon, starting in late 2007.

Immediately prior to the closure of Calumet Photo in Chicago, I took a Nikon 14-24mm f/2.8G AF-S lens out on rent. I did a few shoots with it and figured I would rent it again when the need arose. 2 days later, Calumet closed its doors. At first, I was disappointed that I would have to find my photography gear sight-unseen (more aptly put, touch-untouched) online. Then it also occurred to me that renting this lens would no longer be an easy option… So, I had to own one. Simply put, I absolutely love this lens. It does everything well (within reason – see my comments on uses below), it’s crazy sharp, and it can make the most vanilla/bland situation come to life. There’s plenty to love about this lens.

What’s not to love on this thing? It’s metal everywhere – Nikon get’s an A on the build quality of this one.
When people see me with lens, they immediately ask me if it is a “fisheye”. Their question is understandable as the front element of this monster is a huge bulbous beast; which poses its own unique challenge as this lens does not allow for any sort of filter to be attached. There are some unique aftermarket attachments out there that allow for a filter , but in general the “let’s screw a 77mm MC UV on this thing” ain’t happening. But honestly, I love this lens enough to not even care about the filter situation.

Want that “holy cow, what a building” shot? This is the one. Anytime you shoot an interior with this lens, you are left dropping your jaw at the result. Another great use of this lens is for shots that benefit from a bit of exaggeration – fun shots, concert images, and shots that can leverage strong perspective. The use of this lens for landscapes is completely obvious, but don’t be afraid to include a few subjects in the shot. It can make for a breathtaking result.

Think a bit before using it to “get everything in the shot”. That’s not what I think this lens is best for. It’s best for imagery where you want to slam the viewer’s face in it. If you need to get a wide shot group, check to see what else is in your bag before running with this little monster. A few steps back with a 50mm may be a better choice for a group shot.

This thing is amazing. The lines stay straight and I cannot say enough about the sharpness. If you have the coin to put this in your bag, do it. You’ll love it.